South Korean composer Park Jiha deftly balances heritage and improvisation, disrupting traditional paradigms and breathing new life into ancient instruments. Moving beyond her formal training, she reimagines the Yanggeum (a hammered dulcimer), Saenghwang (a free reed mouth organ), and Piri (a double-reed bamboo oboe) to create an innovative form of minimalism. Her era-ambiguous elegies fluctuate between deeply meditative and dramatically dynamic, emerging as an ever-present prophecy of tomorrow.